jueves, 22 de junio de 2017

Simon Sammut: Crossing - A Visual and Music Experience



Immediate Release

EARLY REVIEWS:

The group presents a rock infused sound that is frenetic, yet imbued with purpose. The searing lines of guitarist Marc Galea, fused in a tightly linked groove with Simon’s bass is elevated to a level of enlightened intellectual stature. Each musician clearly connected and creating for the higher good.
-Sylvannia Garutch, The Jazz Word

Sammut’s robust melodic playing and writing captures this emotion with emphasis on the importance of bravery, especially when crossing boundaries, despite all odds. Sammut’s bass solo is melodic and his unique use of chords and double stops is consummate in his playing style.
-Stamish Malcuss, Jazzsensibilities


Simon started his initial studies at a young age and reached advanced levels of music education. After studying piano for a number of years, he started playing electric bass at the age of thirteen. He became captivated by the sound of legendary bass players as James Jamerson, Jaco Pastorius, Francis Rocco Prestia of Tower of Power, Verdine White of Earth Wind & Fire and Larry Graham. After some lessons with his father Joseph, who himself was an established bass player during his young days, Simon continued to study bass playing and soon established himself as a popular bass player.

At the age of 15, Simon joined his first rock band "Hangover". He quickly moved from playing rock to blues, soul, funk and jazz. Later on he began to play the upright bass. As a performer, he has played with leading musicians and covering a wide span of musical activities.

As he is a fluent reader and a versatile musician with an eclectic taste, he is quite busy and has for quite some time now played with various, musicians, bands and orchestras.

Besides his work as a performer, Simon is equally at home in the roles of composer, arranger, producer and music teacher.

In 2011, Simon produced and released his new solo album entitled "BaSSic Attitude". In this album Simon collaborated with multi-instrumentalist Alexander Kuzmin. The album had received very positive feedback. It has been described as "finely polished jewer of bass goodness". The album's eight instrumental tracks traverse Jazz, Soul, Funk and Pop, including the slow grooving ballad, "Recollection", the latin flavoured "Dos Hijas", the funky "Another Song" and the feel good "Second Avenue”.


1. The Tin Soldier's Last Dance (feat. Tony Sammut, Melchior Busuttil & Angela Grima)
2. Daruma Doll
3. Be the Change (feat. Melchior Busuttil & Jonathan Ellul)
4. Promethean Man (feat. Melchior Busuttil)
5. Crossing (feat. Melchior Busuttil, Tony Sammut, Lena Sammut & Marc Galea)
6. Shades of Ember (feat. Mark Attard, Marc Galea, Melchior Busuttil & Kris Spiteri)
7. Bell Ringer (feat. Melchior Busuttil)
8. Fifty Something (feat. Kevin Abela, Ivan Borg, Godfrey Mifsud, Jesmond Azzopardi, Jonathan Ellul, Tony Sammut & Melchior Busuttil)
9. Frozen Glass
10. Frontier (feat. Melchior Busuttil & Tony Sammut)
11. When Stone Comes to Life (feat. Melchior Busuttil)
12. Princes of Serendip (feat. Jonathan Ellul & Melchior Busuttil)

Tony Sammut: piano
Mark Attard: piano
Melchior Busuttil: drums, percussion, programming
Marc Galea: classical, electric guitars
Jonathan Ellul: electric guitars
Kris Spiteri: melodica
Kevin Abela: trumpet
Ivan Borg: tenor saxophone
Godfrey Mifsud: baritone saxophone
Jesmond Azzopardi: bass, trombone
Marlene Sammut: voice

MJ Territo CD Release Party Thursday August 17th 7:30 pm @ Club Bonafide


MJ Territo CD Release Party 
Thursday August 17th  7:30 pm 
@ Club Bonafide

MJ Territo, vocals
Linda Presgrave, piano
Iris Ornig, bass
Barbara Merjan-drums

Club Bonafide
212 E. 52nd St. NYC 
(646) 918-6189
$15

Performing Music From Her New CD
Welcome to Ladies Day!

Vocalist MJ Territo celebrates the compositions of classic and contemporary jazz women with her upcoming CD, Ladies Day

On her sparkling new debut album, singer MJ Territo shows off her range and versatility, lending her voice to blues, bebop, bossa and ballads

With her new CD, Ladies Day, singer/composer/lyricist MJ Territo shines a light on a rare collection of tunes by great writers who just happen to be women. Mary Lou Williams, Abbey Lincoln, Patricia Barber, Peggy Lee and Blossom Dearie are just some of the classic icons of jazz and cult favorites represented in this collection of lesser-known songs that definitely deserve to be heard more often.

MJ Territo didn’t set out to focus on women; while making a pre-gig set list, she noticed that several of the songs she chose were written by women. That motivated her to dig deeper in search of material by female composers, and MJ soon realized she could put together a whole evening’s worth of great music from her discoveries. The variety of themes was part of the attraction: Sure, there were love songs, but also tunes about “resilience, self-awareness, self-reliance, and a curiosity about the wider world.”

Territo found herself thinking: “Hmmm … how about getting together a group of women jazz musicians to play them? Wouldn't that be fun?” Pianist Linda Presgrave, who had released two CDs of compositions by women, immediately came to mind. “I knew Linda and I were on the same wavelength where women jazz composers were concerned,” MJ recalls. Impressed by bassist Iris Ornig’s album No Restrictions, the singer invited her on board. Rounding out the Ladies Day Quartet is drummer Barbara Merjan; MJ heard her at a club and recognized the sound she was looking for.

In picking the 14 tunes for Ladies Day, MJ’s debut album, the singer didn’t take an easy route: The CD is full of challenging material. But not only does MJ Territo prove she’s up to the challenge, she sounds like she’s having a ball while she’s at it.

Among the Ladies Day highlights are:

“No Time for Snoozin’,”  This Territo original features a piano intro that immediately engages the listener, as do the witty lyrics.

“Everything is Moving Too Fast,” Check out the excellent solos by Ornig and Merjan on this Peggy Lee tune,  along with the bluesy, bouncy vocal.

“Cuando Vuelva a Tu Lado” shares a melody with “What a Difference a Day Makes.” Territo sings the Spanish lyric with deep feeling, and also demonstrates her chops in the universal language of vocalese.

The tight band is augmented by special guests on several tracks, including:

“Strange Fascination,” by Mary Lou Williams and Ada Moore, one of Territo’s favorites, which she found in the Mary Lou Williams Archives at Rutgers. Tenor saxophonist Virginia Mayhew, who has released a Williams tribute CD, guests on this tune.

Flutist Andrea Brachfeld is featured on Blossom Dearie’s piquantly amusing “I’m Shadowing You,” along with Territo’s flirty vocal.

Harpist Brandee Younger appears on “True,” by Lorraine Feather and Dave Grusin, taking a sensitive approach on this lovely harp/vocal duet.

The band’s repertoire has grown to more 50 songs by now, so with any luck, Ladies Day Volume 2 won’t be far behind! Let’s all keep our fingers crossed for an equally exciting follow up to this impressive debut recording.


MJ Territo Ladies Day (Jollie Mollie JMM 217) Street Date: August 4, 2017

MJ Territo, vocals
Linda Presgrave, piano
Iris Ornig, bass
Barbara Merjan, drums
Andrea Brachfeld, flute (tracks 2, 11)
Virginia Mayhew, tenor saxophone (track 6)
Brandee Younger, harp (track 10)


Media Contact
JIM EIGO, JAZZ PROMO SERVICES, 272 State Route 94 South #1, Warwick, NY 10990-3363 Phone: 845-986-1677 / Fax: 845-986-1699 Cell/text: 917-755-8960 Skype: jazzpromo jim@jazzpromoservices.com www.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.” 

Matt Cappy - Church and State (ROPEADOPE RECORDS 2017)





Adam Bodine - Opus Reminiscence (2017)


Based out of Colorado, Adam Bodine is a talented professional pianist and keyboardist. This soulful improviser, tasteful accompanist, evocative composer, diligent bandleader, prolific producer and charismatic performer joyfully excels in a variety of roles and situations. Although he is comfortable with generally being labeled a jazz musician, and certainly energetically revels in the aesthetic qualities and artistic freedoms intrinsic to many types of jazz music, Adam flourishes beyond the confines of categorization. An astute listener with refreshingly open sensibilities and outstanding chops, this creative keyboard wizard possesses remarkably versatile musical capabilities that can be masterfully stretched and expressed across a vast spectrum of styles and genres.

Tearing it up on stage or laying it down in the studio, Adam is a very active and in demand keyboardist who works exceptionally well with others. In just a handful of years, Bodine’s booming career has embraced the pleasure of playing thousands of performances with several hundred bands and musicians. He’s performed at a vast array of the nation’s top venues and festivals alongside some of the best in the biz. A super busy dude especially throughout Colorado’s diverse and happenin’ music scene, Adam averages over two hundred gigs a year with a fluctuation of over thirty different groups. He is also frequently recruited to travel and perform around the country. A very experienced, efficient and sought after studio session musician as well, Bodine is regularly hired to collaborate on all sorts of artists’ albums and recordings. He also accompanies choirs and various kinds of theatrical productions including plays, musicals and even silent films.

One of Bodine’s most beloved and ever evolving music outlets is his trio. A standard jazz piano trio format complemented by bass and drums, the Adam Bodine Trio is an entertaining and dynamic band which, in addition to compelling interpretations of various pop and rock tunes, often showcases its exuberant bandleader’s original instrumental compositions. Adam’s song catalog is extensive, eclectic and it embodies an optimum framework for his spirited, funky, imaginative, and often humorous musical personality to shine.

As a music educator, Adam enjoys connecting and working with students and music lovers of all ages and skill levels. He helps out at various public and private schools throughout the Colorado area, as well as participates in an assortment of workshops and camps. Bodine also provides private music lessons. Not limited to only piano players, Adam is open to working with just about anybody who’s interested in playing just about anything. His approach and philosophy towards teaching is inspired in part by his teacher, mentor and friend, and world renowned pianist, composer and educator, Art Lande. Guided and motivated first and foremost by the interests and curiosities of each individual student, every lesson is a uniquely specialized and cooperative process of exploration and discovery.

1. Jaunt For Joy 01:04
2. Nostalgic Daydream 02:39
3. Wake And Rake 02:44
4. Sprout 04:55
5. Over The Weather 05:56
6. Celestial Serenade 04:14
7. Reflections Of A Seasonal Romance 05:05
8. hVoluptuous Horizon 05:21
9. Abyss To Zenith 03:24
10.Moonstruck Rendezvous 05:56
11.Opus Reminiscence - Album Preview 13:17


Jean-Luc Davis (bass)
Kevin Matthews (drums)
Andrew Vogt (soprano and tenor saxophones, clarinet)
Tom Gershwin (trumpet)
Greg Harris (vibraphone)
Kari Clifton (cello)

Jack DeJohnette, Larry Grenadier, John Medeski & John Scofield - Hudson (Motéma Music 2017)



So this is what happens when a group of old jazz hands get into a Levon Helm kind of way. Hudson is the name of an album, a supergroup and a song on the album by the supergroup, and it’s due out June 9, 2017 from Motéma Music. The combination of Jack DeJohnette, John Scofield, John Medeski and Larry Grenadier is capable of so much; Hudson delivers in that it doesn’t kowtow to expectations of what kind of music these four legends should make.

‘Hudson’ is not a name that came about without much meaning; the Hudson Valley region of upstate New York is the land of the 1969 Woodstock Music Festival, Pete Seeger’s Clearwater movement and more artists per capita than any other place in the USA. NYC artists have found much refuge in the peaceful, natural scenery away from the hustle and bustle of the Big Apple. DeJohnette, Scofield, Medeski and Grenadier have all eventually made homes here and have all performed with each of the others. A 2014 concert together at the Woodstock Jazz Festival was all it took to provoke them to combine to make music that has a strong connection to not only where they came from, but to where they now make their homes.

The careers of these four follow timelines that only partially overlap each other but the common denominator among them is not just that they are jazz musicians, but musicians and fans of more popular forms of music before they turned to jazz, such as rock, RnB, folk and funk. This is a record of relating to the music they dug growing up as much as it’s about their current environs. All have collectively made plenty of records that indulge their fondness for the music of their youths; Scofield were in such bands at separate times with DeJohnette and Medeski, for instance. But the thing about old jazz hands like these guys is that they have gotten over themselves so long ago; making the musicians around them sound better is ingrained in them and it’s this colloquial manner of making music that makes the whole greater than the great parts. Here, ‘laid back’ is the dominant music style, and the hippie attitude pervades the album so much that the formal styles played are nearly superfluous.

The song of the same name as the album and the band, creeps along on a single chord, taking its own sweet time as Sco noodles away angularly, occasionally sharing growls and grunts with Medeski’s keyboards over a jam-length twelve minutes. That opening salvo that the four created together is a rock song, but it’s DeJohnette’s masterful swing that sets Scofield’s “El Swing” into motion, signaling that jazz isn’t being ignored, just eased up to matching the rural surroundings where this record was recorded. Medeski’s piano solo is a real gem on this cut. “Tony Then Jack” is Scofield’s concise history of fusion drums (from Williams to DeJohnette) culled from the Lifetime-inspired group Trio Beyond he co-led with the latter drummer. This isn’t blistering rock-jazz but DeJohnette does live up to his legacy with another swing number, this time harder and Grenadier’s walking bass holds down this blues with an authoritative hand.

“Dirty Ground,” originally appearing on DeJohnette’s 2012 Sound Travels, was a tune he co-composed with Bruce Hornsby but this time Jack is stepping up to the mic to handle the vocals in his salt-of-the-earth vocals that’s perfect for the occasion. Moreover, it invokes the spirit of the aforementioned Helm.

The covers chosen all relate in some way to the sacred ground near the Catskills; Bob Dylan’s “Lay Lady Lay” is set to a relaxed, reggae groove and fronted appealingly by Scofield’s lyric lead. Another Dylan number “A Hard Rain’s A-Gonna Fall” is another jam, whereby the boys test dissonance, mostly around Medeski’s swirling B3 and a psychedelic electric piano. Joni Mitchell’s “Woodstock” — the most obvious choice for this setting — is a spiritual communion. Jim Hendrix’s “Wait Until Tomorrow” is a funky excursion that isn’t that far removed from Medeski Scofield Martin and Wood. Medeski’s barroom piano intro gives little hint of the Band’s “Up On Cripple Creek” that soon follows, which is played in a mostly straightforward fashion.

The back-to-nature sentiment that’s threaded throughout this album is strongest right at the end with “Great Spirit Peace Chant,” where the crew play wood flutes amid hand drums and Native American chants. The Hudson River Valley is not just a place, it’s a state of mind that’s carried out so earnestly and effortlessly in music by Dejohnette, Grenadier, Medeski and Scofield.


Andrew McCormack - Graviton (2017)


Internationally acclaimed pianist and composer Andrew McCormack consistently challenges himself to explore new and very different musical styles as an artist. Whether appearing with Kyle Eastwood or Jamie Cullum, with a symphony orchestra or as a solo pianist, at outdoor festivals or an intimate club, you can always expect the highest level of performance. 

With Andrew’s latest project, Graviton, he has assembled an A-List of the most sought-after musicians in the modern jazz world, all of whom bring something special to the mix. ESKA, Mercury prize nominee, joins the band on vocals. Sons of Kemet’s sax sensation Shabaka Hutchings and Jacob Collier’s electric bass supremo Robin Mullarkey are a stellar addition. In keeping with this extraordinary line-up, Scandinavia’s Anton Eger, of Phronesis fame, is the driving force on drums.

Their music may be best described as a mix of Steve Reich and Tigran Hamasyan, without boundaries.

Graviton--the upcoming album on JazzVillage--and the 2017 tour, will take Andrew’s career to a newly defined musical space...and one that audiences will remember.

Breathe
Graviton
The Waiting Game
Kalamata
Look Up
Andromeda
Fellowship
Escape Velocity
Aurora
The Time Delay Of Light


ESKA / Vocals

Shabaka Hutchings / Saxes

Robin Mullarkey / Electric Bass

Anton Eger / Drums


miércoles, 21 de junio de 2017

CONCERTOS PORTA-JAZZ: Sábado, 24 jun. - Catarina S. Ribeiro & Hugo Raro


Sábado, 24 junho
19:00 & 22:00 
Sala Porta-Jazz


CATARINA S. RIBEIRO & HUGO RARO
Catarina S. Ribeiro - piano
Hugo Raro - piano
Um piano para dois pianistas, dois músicos e dois amigos.

Surgiu-nos, já por várias vezes, a vontade de, em duo, nos aventurarmos sem destino pelo piano com tudo a que tem direito - pelas teclas, pelas cordas, pela madeira e o metal. Foi esta a hora que escolhemos para fazer um concerto improvisado em que esperamos viajar pelos nossos desejos sonoros e levar a companhia de quem se queira juntar. Poderá haver canções, pregões ou abanões..


PRÓXIMOS CONCERTOS SALA PORTA-JAZZ

1 julho, 19:00 + 22:00
Eduardo Cardinho & Pedro Branco Group
Eduardo Cardinho - vibrafone
Pedro Branco - guitarra
Demian Cabaud - contrabaixo
Iago Fernandéz - bateria

8 julho, 19:00 + 22:00
Quarteto José Pedro Coelho
José Pedro Coelho - saxofone
João Grilo - piano
Demian Cabaud - contrabaixo
Marcos Cavaleiro - bateria

15 de Julho, 19:00 + 22:00
Weird Beard
Florian Egli - saxofone
Dave Gisler - guitarra
Martina Berther - baixo eléctrico
Rico Baumann - bateria
22 de Julho, 19:00 + 22:00
André Santos "Vitamina D"
André Santos - Guitarra
Tristan Renfrow - Bateria
Matt Adomeit - Contrabaixo

29 de Julho, 19:00 + 22:00
João Guimarães / Travis Reuter / Simon Jermyn / Allan Mednard
João Guimarães - saxofone
Travis Reuter - guitarra
Simon Jermyn - baixo eléctrico
Allan Mednard - bateria

CICLO JAZZ DE SANTO TIRSO
Centro Cultural de Vila das Aves
- entrada livre -

1 julho, 21:30 - Rui Filipe Freitas Sexteto
Rui Filipe Freitas - vibrafone
José Pedro Coelho - saxofone tenor e clarinete-baixo  
João Mortágua - saxofone alto e saxofone soprano
Mané Fernandes - guitarra
Filipe Teixeira - contrabaixo
João Martins - bateria

Denys Baptiste - The Late Trane (EDITION RECORDS 2017)

The Late Trane is the powerful and commanding new album from British saxophonist Denys Baptiste, a giant of the UK jazz scene. Reimagining and reworking ten carefully chosen composition from John Coltrane’s late music (from 1963 - 1967) with a fresh and modern new interpretation, The Late Trane perfectly balances Denys Baptiste’s unique artistic vision with the visceral emotions and cosmic references that encompasses Coltrane’s late music. 

After almost two decades experience at the forefront of the British and European Jazz scene, Denys Baptiste still brims with the confidence of a youthful spirit. With a stellar band that fires on all cylinders and a new home at Edition Records, Denys’ career continues to grow and blossom. This is an album by an artist in total control of his vision, a bandleader flexing his muscles and a musician in his instrumental prime. The Late Trane will fulfil his potential at an international level and bring a new audience to one of the finest instrumentalists and composers on the UK scene - something of a sleeping giant in the last 3 decades, but a giant that is about to wake! 

The later works of John Coltrane, preserved in both studio and enigmatic live recordings were some of the most emotional and spiritually charged music of the 20th Century. Written at a time of tumultuous change in America and the world: the civil rights and anti racism movement, the Vietnam war, the peace movement and space exploration inspired a great flow of creativity of which Coltrane was at the heart. As Denys explains: ‘John Coltrane continues to be one of my most important influences and his late period has always intrigued me and has stimulated my work over many years. To play this music, with these incredible musicians alongside me is hugely inspiring’. 


During the mid to late 60’s, John Coltrane’s music was inspired as much by the spiritual as the cosmic and a series of ground-breaking studio albums marked the last phase of his musical odyssey. Crescent, Ascension, Interstellar Space, Meditations, Om and Sun Ship all exemplified this period of explosive creative growth, where the boundaries of jazz were shifted forever. 

Denys has brought together an extraordinary band that illustrates the parallel journey musicians from London’s multi-cultural music scene have made in discovering and finally making their own the mythic, cultural work of the master sax player. From Jazz Warrior originals Steve Williamson and Gary Crosby, through Denys himself to a new generation typified by Nikki Yeoh, the band is a tribute to the inspiration gained from Coltrane’s work. Producer Jason Yarde adds another layer of deep knowledge and experience as a free jazz saxophonist who has himself explored the outer spaceways. 

With The Late Trane, Denys Baptiste has made a bold statement, a defining marker of his future ambitions and a reverent acknowledgement of this remarkable man and the music that has undoubtedly been a vital influence in his own career. Yet Denys is very much his own man with his own vision, an artist with his own voice and his own sense of destiny. The Late Trane views the work of Coltrane through the prism of this experience, through the global sound of London. It is 50 years since John Coltrane departed from this world and there’s seems no better time to celebrate and pay tribute to one of the great musicians of the 20th Century. 

1. Dusk Dawn 05:45
2. Living Space 06:33
3. Ascent 06:16
4. Peace on Earth 05:51
5. Transition 08:40
6. Neptune 03:08
7. Vigil 08:56
8. Astral Trane 04:45
9. After the Rain 07:51
10. Dear Lord 02:55

Produced by Jason Yarde 
All music by John Coltrane 

DENYS BAPTISTE tenor and soprano saxophones
NIKKI YEOH piano and keyboards
NEIL CHARLES bass
ROD YOUNGS drums

Special Guests:
GARY CROSBY bass
STEVE WILLIAMSON tenor saxophone

The later works of John Coltrane hold a singular place in jazz - for listeners and musicians alike. 

There must be many a jazz fan - me included - who found their way to Ascension, Kulu Se Mama or Om “too early” in their love affair with the music. Giant Steps - got it, My Favourite Things - wow, Sun Ship - what the? It would take being pointed towards A Love Supreme for sense to be made. Not without reason is Coltrane’s 1965 album considered to be a, even THE, jazz masterpiece - the point at which a brilliant artist began his journey both closer to his God and towards a higher plane which was beyond the realms of most mere musicians. 

Even the players who went on that sonic journey with him were at first baffled by the new sounds they were making. In a 1966 interview in Downbeat Coltrane’s long time drummer Elvin Jones was quoted as saying “ At times I couldn't hear what I was doing—matter of fact, I couldn't hear what anybody was doing. All I could hear was a lot of noise.” So it’s unsurprising that subsequent generations of jazz musicians have approached the post 1965 Coltrane with trepidation and awe in equal measure. It takes a special kind of artist to be prepared to explore this holy canon. 

Deny Baptiste is such an artist. Denys is a measured and considered musician. This is only his fifth album as a leader in 18 years. Each release carries thought, time and hence meaning. Denys likes to do things when he feels he’s ready. 

I can imagine he’s been listening to Coltrane’s late catalogue for decades. I’m sure he’s still trying to understand it. I know he would never presume to emulate it. But what’s evident from the music contained herein is that he “feels” it. He feels it and now feels ready to explore it and to pay tribute to it - and it’s creator - by imbuing it with some of the nuances and personality of his personal journey in jazz.


So this ain’t no JC tribute band. This is the worshipful music of a 20th century american master as celebrated by a 21st Century British artist born of Caribbean parents. Just as ‘Trane drew on the music of the church and the inspiration of his jazz forefathers, so expect to hear hints of the multi cultural flavours of the musical mixing pot so dear to those of us who grew up in the Britain of the last 50 years. Reggae and Funk for sure, but tiny touches of folk too and even a nod at M-BASE, UK style. 

But make no mistake this is a jazz album. And this is a spiritual jazz recording. That’s no surprise when you look at the band that Denys has pulled together to play it. A lineup that boasts both Denys’ mentor - the matchless teacher and bass player Gary Crosby and two of the most moving saxophone players the UK has ever produced - Denys himself and the elusive but incomparable Steve Williamson. Together with pianist Nikki Yeoh, drummer Rod Youngs, second bass player Neil Charles and a third monster sax player, Jason Yarde at the production desk, this is a collection of players with a long shared history and a deep spiritual connection. Warriors all! 

With Late Trane Denys Baptiste has achieved something special and important. He has opened another rare window onto one of the greatest moments in jazz history. He’s made a beautiful and welcoming record that I’m sure will guide others towards those late 60s Impulse masterworks. 

Denys has once again taken his time. But it’s been worth the wait. 

Jez Nelson (March 2017)

Jaska Lukkarinen Trio - Origami (WE JAZZ RECORDS 2017)



Recorded at Helsinki's We Jazz Festival, the new LP "Origami" by the Jaska Lukkarinen Trio offer a solid glimpse of the remarkable creative power of one of the best working groups in the vibrant Finnish scene. Drummer Jaska Lukkarinen (of Dalindèo), sax man Jussi Kannaste and bassist Antti Lötjönen (of The Five Corners Quintet) play jazz which relies on the strong dynamic of the group. They swing at times, turn inwards for some deep meditative passaged on occasion, and find their own personal way within the music. Think pianoless small groups in the vein of some of Jimmy Giuffre's best work, for example, and you're in the right mindset. 

On this LP, the Jaska Lukkarinen Trio capture the essence of their music and the innovation in the moment which is at the very core of all great jazz music. They tackle the music of a close collaborator Valtteri Laurell Pöyhönen (of Dalindèo and Ricky-Tick Big band), and deliver a which set brimming with fresh musical ideas, and this music has appeal well outside of the hard core jazz crowd. This music is approachable yet deep with layers at the same time. Recorded on analogue equipment, the set echoes a the classic sonic palette of live jazz recordings, while offering music which looks ahead at all times. The LP release includes an article about the project + a digital download with the bonus track, "Beauty Passing By".

1. Flow On 10:41
2. Origami 05:22
3. Komeda 07:41
4. Pengerkadulla 07:30
5. Beauty Passing By 09:33

Composed by Valtteri Laurell Pöyhönen 
Arranged & performed by Jaska Lukkarinen Trio 
Produced by Jaska Lukkarinen & Matti Nives 
Recorded at We Jazz Festival in Helsinki at Dubrovnik Lounge & Lobby on 11 Dec 2015 by Abdissa Assefa 
Mastered by Jaakko Viitalähde at Virtalähde Mastering Additional mastering by Sami Kantelinen at Timmion Cutting Lab 
Design & liner notes by Matti Nives